at the University of Virginia and a Ph D in English and Creative Writing at Texas Tech University.
“If the poem gets boring, you can just nod your head and smile, and in a moment, a new one’s going to come along.” Clark read a varied assortment of poems from his inventive, imagistic collection Reveille, interspersed with recitations of some of his favorite poets.
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One such poem is “Reveille with Kazoo,” which he followed with “Lullaby with Bourbon” and “White Noise,” a meditation on the ambient noise that helps his three children fall asleep.
Clark concluded the reading by answering questions from the audience. Brett Foster’s Poetry Writing and Criticism class for a post-reading discussion about revision, inspiration, and the challenges and rewards of writing in form.
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Some of Clark’s poems had a concrete narrative while others were more abstract, but all shared one thing in common.
“Every poem in the book is a love poem,” Clark explained.
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